On Picking Songs and the Sort Apart

I came to the realization that if I wanted to quote a song I was listening to, its an instrumental so the title would be "*soft strings* *building strings with piano noises* *horns*" or something... and it wouldn't exactly describe anything pointing out the song as opposed to other ones. Nevertheless, if you want to listen to that instrumental, it's from the movie "Beasts of the Southern Wild" which I haven't seen yet, but I've heard the soundtrack to.



Anyway, music has become a pretty big part of my life, ever since I first needed it as an inlet back during the Viva La Vida days. What I've learned is that there are three basic elements to a song: the music, lyrics, and  key its written in.

The Music and Key
This is the part that gets stuck in your head and you remember. A melody sticks in your head like your shirt to leather interior in a car. Whether or not you realize it, the song's key and melody is how the majority* of us interpret happy/sad songs. There's this really interesting article from NPR (National Public Radio)'s All Things Considered if you're interested how it all works, and a quirky experiment with an REM song right here: http://www.npr.org/2013/03/08/173832177/can-you-make-sad-songs-sound-happy-and-vice-versa

The Lyrics
This is the actual 'content' of the song... and it seems to me like this is comparable to a webpage where the content is what is actually pretty important, but everyone bases the mood of it off of the CSS or 'fancy stuff'.

SO where am I going with all of this? We did lyric analyses in English class as a sort of 'poetry analysis.' Now let me put this with all of the formatting I can put on here:

I Am Bad At Poetry

But I am pretty good with music. So I used my WYEP recording of Mark Dignam and the House of Song's performance at the Hootenanny... I was able to get through it, but here's what I learned about analyzing poetry. A note to any English majors or teachers... I'm not too qualified to say this. Remember that I'm a high school sophomore, and take my thoughts as you will.

• When searching for a deeper meaning, if it seems too hard, you're thinking too hard. 
• Frost poems usually have a deeper meaning, you're not trying hard enough.
• When writing poetry, keep to the rubric and then add flair afterwards.
• Finally, if you're a blogger attempting to do poetry, keep the poetry to a need-to basis, because I'm not good at this.

But the first point makes sense for a lot of things. Don't try searching for deeper meanings all of the time. Search a bit, look at something from a different perspective, but much like a game of Jenga, pull something too too much and the whole bloody tower may fall down.

Just some thoughts.